Shutter Island

Where to Watch:

9.5/10

FilmFascination Rating

Recently I watched ‘Shutter Island’ for the third time. I was reluctant to see it again, thinking that I already knew everything it had to offer. But after watching it, I realised, I had forgotten how great it was.

Shutter Island starts working on the viewer the moment that ominous classical music, which gives us a sensation of doom, starts when US Marshal Teddy Daniels (Leonardo DiCaprio) and his new partner Chuck Aule (Mark Ruffalo) are in front of the isolated island. Scorsese stated that the main reference to Teddy Daniels was Dana Andrew’s character in Laura. The ferry scene where the scary island is looming in the gloom of the sea and slowly emerges out makes you prepared that something is going to happen. 

From the moment they step on the island, something feels off. I understand that it is a mental institution so it is going to be unusual, but not only that. The nurses and doctors also seem to hide something. Psychiatrist Dr. John Cawley and his associate Dr. Naehring, played with expertise by Ben Kingsley and Max von Sydow, are less than open about what is happening on the island. Even the pleasant deputy warden is not quite convincingly friendly. As Ebert says -He’s played by John Carroll Lynch, Marge’s husband in “Fargo,” so you can sense how nice he should be.

Marshal and his partner are traveling to the island to investigate the disappearance of Rachel Solando, a mental patient at the Ashecliffe Hospital for the criminally insane, who drowned her three children. But Solando’s lead psychiatrist Dr. Lester Sheehan left the island the morning the Marshalls came in. A patient on the island is missing, and her lead psychiatrist is on a leisure trip. I mean what is going on here? Everything just screams, “Go back!”. Teddy suspects that it is not what it appears to be. But when the storm hits, chaos reigns. Trees crash into buildings, there are free prisoners everywhere due to electrical outages, and the marshals are not even able to communicate with the mainland. The two marshals are as much prisoners as the patients.

On the other hand, our protagonist, Teddy has past traumas that give him vivid nightmares. He has flashbacks of his experiences as a US Army soldier during the liberation of Dachau and also has striking dreams of his wife, Dolores who was killed in a fire set by Andrew Laeddis who is believed to be a patient at this frightening institution. Leo is stunning in the movie and plays his character with heavy emotions. He has the tricky task of looking more rattled and confused the more he discovers. 

Scorsese provides us with a combination of Hitchcockian and Kubrickian perspectives on that weird, secluded place. The plot reveals itself one layer at a time, peeling itself with helter-skelter plot twists. The overall atmosphere, ominous warnings, and the emotional rollercoaster that Teddy goes through are done flawlessly under Scorsese’s directorial command. The music, set, costumes, camera angles, and the rooms and halls of this fortress prison are designed for maximum emotional impact to the extent that it slowly poisons the viewer with the island’s dread.

It becomes difficult to decipher whom to trust and who not to. Is anyone even helping the Marshall? Is at least his partner reliable? Shutter Island makes you question the subtle definition between being insane and living in what you think is the real world and it does so beautifully. Shutter Island engages the audience while also challenging their intellect. The strength of the film is that it never allows the viewer to feel comfortable with what he is watching. This is because the narrator is unreliable. It is just not easy to differentiate between dream sequences, flashbacks and concrete reality.

You may read reviews of “Shutter Island” complaining that the ending blindsides you. The uncertainty it causes makes you question many things. And I partly agree with it. The first time you don’t really know what is real and what is not. Hence we observe the character from a distance and never really empathize with them. We acknowledge the feelings but don’t really experience them.

The movie misleads the viewers so many times that it becomes really difficult to go back and figure out everything. But in the second viewing, everything becomes crystal clear. You understand Scorsese’s brilliance. Every bit of the hints and clues that you notice, which are given from the very beginning, are so intelligent and well-planned. You learn how much effort must have gone into developing the story. You understand the mental state of every character and even get the answer to every question that might have arisen in your mind in the first viewing.

Shutter Island has one of the most cinematic and meaningful last line cinema has seen. The first time I saw the movie, it had me scratching my head for a long time. But it is fascinating how that one line so subtly changes everything.

Favourite Quotes

Dr. John Cawley: Sanity’s not a choice, Marshall. You can’t just choose to get over it.

Teddy Daniels: They’re experimenting on people here.

Chuck Aule: I don’t know, boss. How can you believe a crazy guy?

Teddy Daniels: That’s the beauty of it. Mental Patients make the perfect subjects, if they talk nobody listens to them!

Teddy Daniels: I had a friend. I was with him yesterday, but we got separated. Have you seen him?

Rachel: Marshal… you have no friends.

Teddy Daniels: Why are you all wet, baby?

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