The Usual Suspects

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8.8/10

FilmFascination Rating

The Usual Suspects is one of my very favourite movies. It is filled with memorable dialogues and I love to quote them anytime I get a chance. Whenever I discuss this film with others or even watch some scenes again, I get as excited as a little kid.

The movie begins on a ship docked in San Pedro Bay where we see Dean Keaton sitting on one end of the ship lighting his cigar and trying to light up the ship through the inflammable fuel on it when a shadowy figure stops him from doing so. In a very calm manner, he twists his gun and kills him. Before getting off the boat this person, whose name is Keyser Soze, as we understand from Dean Keaton, throws his cigarette and the ship blasts in flames.

The next day the police find 27 dead bodies with only two survivors. One is a Hungarian mobster who is hospitalized because of his severe burns and the other is a con artist named Verbal Kint (Kevin Spacey) who is under interrogation by the LAPD. US Customs agent Dave Kujan (Chazz Palminteri) flies to Los Angeles from New York City to ask some questions to Verbal about Keaton who was an ex corrupt cop. Apparently six weeks earlier the killer ex-cop Dean Keaton (Gabriel Byrne) who is trying to go straight for his love Edie (Suzy Amis Cameron), a cold-blooded bomb expert Todd Hockney (Kevin Pollak), a cocky marksman Mike McManus (Stephen Baldwin), a mumbling hipster Fred Fenster (interesting performance by Benicio del Toro), and Verbal Kint were all placed in a police lineup as suspects in a truck hijacking that none admits to have participated in. But Keaton finds something fishy in this lineup claiming that they would never lineup five felons in the same row without any dummy being present in it.

But this lineup turns out to bring these five people together to go on different jobs.  This is where it all starts. Though Keaton initially refuses to get involved in all this he eventually gives in, as Verbal says “A man can convince anyone he’s somebody else, but never himself”. Through some turn of events, they meet a lawyer Kobayashi (Pete Postlethwaite). Pete gives an incredible performance as Kobayashi.  Kobayashi talks and behaves with idealistic manners but is stern and makes himself clear when things get serious.  He has a job for them from Keyser Soze.

Now this name itself changes everyone’s faces except for Verbal’s who apparently does not know who Keyser Soze is. Keyser Soze has this legendary status not only among the crooks but also among the cops. According to a tale, once a Hungarian gang entered Soze’s house, raped his wife, killed one of his children and threatened to kill the others too so that Soze gives his business to them. To show his will and determination, Soze himself kills his wife and children and lets the last Hungarian go. Once he burries his wife and children he goes after the mob and kills every last one of the people who are related to them. Soze’s character was based on John List, a New Jersey accountant who murdered his family in 1971 and then disappeared for almost two decades.

No one ever knew if Soze existed or was just a myth. The drama they create around Keyser Soze is phenomenal. Even the score of the movie adds to its mystery and excitement.  The interrogation scenes are filled with threats, humour, tension and revelations. We get to see outstanding performances by both the talented actors; Kevin Spacey and Chazz Palminteri. One of Spacey’s best performances in my opinion. The storytelling by Spacey is amazing and in a way catches our attention. All the five crooks with their varied personality become memorable in their own way. Even actors with small screen time give striking performances.

Byrne remembered that they were often laughing in between takes “when they said, ‘Action!’, we’d barely be able to keep it together.” Singer (Director) and editor John Ottman used a combination of takes and kept the humor in to show the characters bonding with one another. The line-up scene in the movie was scripted as a serious scene, but the actors couldn’t keep a straight face. Benicio Del Toro kept farting during the scene and hence the actors constantly kept cracking up. Director Bryan Singer decided to use the funniest take for the lineup scene.

It is one of those very few movies where the twists are really good. On top of my head, I can only think of movies like Chinatown, Se7en and Fight Club, which have good twists. The movie gets its name from Claude Rains’ most memorable lines in the classic film Casablanca. One of the intelligent things of the movie, something that makes the audience remember this movie is how it tells the twist or revelation at the very end. You, for a while, are in the perception of understanding things and out of the blue the film shocks you and ends. This keeps the audience into thinking what actually happened and compels them to try to connect the dots.

The story unfolds in such a convoluted manner that it becomes hard to keep up with it. The only thing that might confuse you a little bit is how quickly the movie jumps back and forth with the past and the present. You might have to go back and forth with the dialogues as they turn out to be important for the plot. Whilst this might confuse you at times, it also makes the film more engaging, as the audience finds out more and more about what happened. You just have to pay attention. Now there are critics who did not like the movie because of this reason. But I cannot help but love it. It is a movie of utmost class and style.

In my opinion it is one of the movies you may want to watch twice: the first time to enjoy the ride, the second to figure out the plot and how exactly you got tricked. When I saw the movie the second time, I was pleasantly surprised to see the subtle hints the movie gives about the plot and that is what makes it clever. It is interesting to see how all the details work out in the end. It is very well directed for the fact that how manipulative it is, in a way to make sure the end makes its impact well. The screenplay also contributes vastly and in fact makes the movie what it has become today. McQuarrie won the Academy Award for Best Original Screenplay.

If you are thinking about watching the movie, just do me a favour, don’t fool around searching more about this movie. It might just spoil the experience. Like I said, the first time you will enjoy the ride, but only if you go with little information and the internet is filled with spoilers.

Favourite Quotes

Dave Kujan: Do you believe in him, Verbal?

Verbal: Keaton always said, “I don’t believe in God, but I’m afraid of him.” Well I believe in God, and the only thing that scares me is Keyser Soze.

Verbal: Who is Keyser Soze? He is supposed to be Turkish. Some say his father was German. Nobody believed he was real. Nobody ever saw him or knew anybody that ever worked directly for him, but to hear Kobayashi tell it, anybody could have worked for Soze. You never knew. That was his power. The greatest trick the Devil ever pulled was convincing the world he didn’t exist. And like that, poof. He’s gone.

Kobayashi: One cannot be betrayed if one has no people.

Verbal: A man can convince anyone he’s somebody else, but never himself.

[after being strip-searched]

Fenster: Man, I had a finger up my asshole tonight.

Hockney: Is it Friday already?

Verbal: He lets the last Hungarian go. He waits until his wife and kids are in the ground and then he goes after the rest of the mob. He kills their kids, he kills their wives, he kills their parents and their parents’ friends. He burns down the houses they live in and the stores they work in, he kills people that owe them money. And like that he was gone. Underground. Nobody has ever seen him since. He becomes a myth, a spook story that criminals tell their kids at night. “Rat on your pop, and Keyser Soze will get you.” And no-one ever really believes.

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2 thoughts on “The Usual Suspects”

    1. soham.filmfascination

      I am happy to see that the review has served its purpose and you are excited to watch the movie. Keep visiting!

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